F*cking Men (Assembly George Square Studios, Edinburgh Fringe)

Joe DiPietro's F*cking Men is basically a sexually transmitted disease in theatrical form. Based upon Arthur Schnitzler's controversial 1897 play Le Ronde, it shows a cavalcade of ten gay male characters getting off with one another in turn, with one partner leading us to the next vignette, and so on. It's an x-rated game of Pass the Parcel.

Whereas Schnitzler's original was purely heterosexual (the whore and the soldier, the soldier and the parlour maid, the parlour maid and the gentleman etc), the idea of a relay race of sexual encounters lends itself much more easily to the gay scene in the 21st century, because that's how it broadly works. There is generally more promiscuity on the gay scene, with men picking up partners for one night stands as easily as swiping right or left on an app, or provocatively rearranging a towel in the sauna.

The original 2015 production of F*cking Men at the King's Head Theatre in London featured a larger cast of performers than this Edinburgh transfer, which sees three actors take on multiple roles throughout the 60 minutes. The play only tells tales where there are two to tango, so having three actors just about copes with the flow, but it's interesting to see how easily the performers flip from one character to their next, and how director Mark Barford has adapted original helmsman Geoffrey Hyland's dynamics.

Callisto: A Queer Epic (The Pleasance Dome, Edinburgh Fringe)

There's one scene in Callisto: A Queer Epic which works so well, and is so funny and enjoyable to watch, that it makes the bits that don't work stick out more. Three actors are filming a porno about a straight couple who engage their wannabe nanny to try and spice up their sex life. But while the female actors are ready and willing to go, the male actor is more interested in contextualising the film's spurious narrative, wondering if the couple's imaginary children are safely tucked up in bed so they won't accidentally happen across this scene of carnality in the living room.

The children are not real, but in the actor's head, he needs to know it all makes sense. It makes for genuinely funny material, and it's written and performed so beautifully that it casts something of a shadow over the rest of the "epic".

Deal with the Dragon (C Nova, Edinburgh Fringe)

We all have a dragon. We may not all deal with the dragon, but there's always one there, over our shoulder, behind our back, peering at us around corners and from under beds. And while it may be left exquisitely open as to quite what the dragon represents in San Franciscan Kevin Rolston's rollicking tour de force, it's obvious that it can be a force for evil just as much as good.

Western culture tends to see the dragon as a ferocious symbol of power, grandeur and trickery, but in Eastern culture the dragon is seen as lucky, benevolent and wise. Rolston's interpretation of the dragon is all of these things wrapped into one, monstrous character called Brenn, an arts critic from the Black Forest who swoops into people's lives when they are feeling vulnerable or when they are at a crossroads. He acts as artistic patron to painter Hunter, who is on the cusp of submitting a piece of work to a museum for a prestigious showcase. He is one of two contesting finalists, along with the deliciously camp Gandy Schwartz.

A Boy Named Sue (C Nova, Edinburgh Fringe)

"The essence of a real man is that he falls in love with a woman."

This is the opinion of one of the three characters in Bertie Darrell's heartfelt triple-monologue A Boy Named Sue, which began life as part of the young writers' programme at the Bristol Old Vic and makes its debut at Edinburgh.

The maxim by which emerging theatre company Sue Productions goes is to "represent the under-represented", and while that may not necessarily be the case as far as the LGBT community as a whole goes, within that bracket they've certainly succeeded.

Preview of Llawn04 Llandudno Arts Weekend

Llandudno Art Festival – Llawn04 – returns this September, a whole weekend of free events along the promenade and across various venues and spaces in the North Wales seaside resort.

There'll be performance, street games, music, robot-making, dance, visual art, film and the unexpected, all inspired by this year's theme of Hide/ Seek.

It opens with a few treats on Friday, September 23rd and then there's a weekend full of events on Saturday 24th and Sunday 25th. Days and exact timings will be announced in August, but for now you can browse all the activity that will be coming and start to plan what you'd like to see.

Whatever Happened to LaLa Shockette? (Pontio, Bangor)

Way back in 1979, when punk and disco were the musical movements dominating nightclubs and Top of the Pops, a small nightspot called the Blitz Club opened up in London's Covent Garden. It's well known how instrumental the Blitz was in shaping the direction British music took over the following few years, inventing the subculture that became known as New Romanticism.

It's also well documented that a pre-fame Boy George worked on the coat-check stand at the Blitz, but nobody ever wonders who took his job on when he handed in his notice and swanned off to seek stardom and fame with Culture Club. Well, Whatever Happened to LaLa Shockette answers that question, as well as many other questions you'd never thought of asking, and would be surprised by the answers to.

It's a cabaret extravaganza dreamed up by Welsh actress and singer Lowri-Ann Richards, who as well as being recognisable from various Welsh language soaps such as Pobol y Cwm and Rownd a Rownd, was also at the very epicentre of the New Romantic explosion more than 35 years ago. You probably won't have heard of her - as Lowri-Ann or her pop alter ego LaLa Shockette - but she was most definitely there, as her slideshow of celebrity snaps attests.

Preview: Wales at the Edinburgh Fringe Festival 2016

This feature was first published by Arts Scene in Wales on July 13th, 2016

Wales is sending a formidable army of unique and talented productions to this year's Edinburgh Fringe Festival, ranging from Roald Dahl to Carry On, from children's theatre to stand-up.

There are over 30 shows on the Fringe billing from Wales-based companies and artists, so let's take a whistlestop tour through the list of theatre, comedy and music to see what Cymru is offering Alba this August.